By Diana Weynand
Up-to-date for ultimate reduce seasoned 7 and written for pro video and picture editors who comprehend their manner round Avid nonlinear structures, this e-book exhibits you ways to translate your talents to ultimate minimize professional speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a finished “translation path” masking all of the crucial operations, from venture set-up and simple enhancing via transitions and results, colour correcting, compositing, titling, and output. You’ll locate precise function comparisons, functional conversion guidance, and directions on find out how to use ultimate minimize seasoned beneficial properties that aren’t on hand in Media Composer. You’ll additionally examine what’s new in ultimate lower professional 7. filled with convenient gains, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complicated enhancing and workflow counsel, this ebook could have you modifying with ultimate minimize seasoned in list time. each one bankruptcy represents a whole lesson in a key element of ultimate reduce professional 7 and encompasses a assessment part and checklist of keyboard shortcuts. obtainable writing sort places a professional teacher at your facet plentiful illustrations and keyboard shortcuts assist you grasp options quick bankruptcy evaluate sections summarize what you’ve discovered
Read or Download Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) PDF
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Extra resources for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)
To see all of the overlays or visual indicators listed below, make sure the Show Overlays option is selected in both the Viewer and Canvas, but turn off all other “Show” overlays in the View pop-up menu for the moment. To see additional Canvas overlays: 1 In the Canvas, click the View button and make sure Show Overlays is selected. 2 To see the appropriate overlay in this default setting, do any one of the following: Move the playhead to the first frame of a clip in the Timeline and look for an L in the lower left of the screen.
In addition, you can create a subclip from a portion of a sequence, and even remove a subclip’s limits if you want to use more of the master clip material. Creating Avid subclips To create a subclip from the Viewer: 1 Open a clip in the Viewer. 2 Mark an In and an Out point for your new subclip. 3 Choose Modify > Make Subclip, or press Command-U. In the Browser, a new subclip is created and placed automatically beneath the clip from which it was created. An FCP subclip is always named after the original clip, and like in Avid, each new subclip created from that master clip is given a subsequent number.
Com> Working with Tools and Audio Meters 17 After a color label is applied to a clip or sequence, that color is displayed in the Viewer or Canvas and Timeline windows, respectively. Clip with color label appears with colored video and audio tabs Sequence with color label appears with colored tab in the Timeline and Canvas Working with Tools and Audio Meters You select Avid tools by using the keyboard, pressing command buttons, or selecting an option from the Fast menu. Final Cut Pro follows the design of certain desktop graphics programs (such as Adobe Photoshop) by placing editing tools in a Tool palette.
Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) by Diana Weynand